
Week 5: Gumboot & Body Percussion
Tutor: Jacqui Fenwick
Date: 2nd May 2016

Workshop 5 focussed on body percussion and the Gumboot Dance of South Africa and it's relatively dark creation. The activity saw us learn various techniques used with body percussion such as stepping, stomping, stamping and clapping to create music and rhythms with our bodies. It was interesting to see the variations that could be created using the different methods and then changing the pulse, accent and rhythm of the beat to add depth and further subtlties to the sounds we were making. The beauty of body percussion is the fact that the sound is created by body movement, and the body movement can be refined to create dance. Body percussion dancing is quite a popular entertainment source and figures in dance include Michael Flatley, a celtic dancer with strong links to percussive dance and the world-famous Stomp musical that sees dancers using body percussion with simple items such as brooms and dustbins to create impressive rhythms and beats.


This workshop also introduced me to the Gumboot Dance and its dark origins. I was quite naive about dance at first and always have reflected upon dance as a joyous or celebratory practise, but this certainly wasn't the case with this dance. Gribben (n.d.) explains that the origins of gumboot dance come from the Apartheid laws that saw the segregation and discrimination of the non-white population of South Africa. During this period it was commonplace for the black South Africans to be dragged from their families and put to work in the dark and flooded conditions of the gold mines. The workers were given a basic uniform of minimal safety that included overalls, a hardhat and the now infamous gumboots to protect their feet from the ever increasing wet conditions. Due to the opression that was being experienced, the mine workers were not aloowed to verbally communicate and so a system of percussive sound was created in the form of their gumboots to communicate throughout the mines. It's popularity grew and became a cultural milestone that today signifies hope and resilience hence it's embedded within South African black urban culture.



After exploring body percussion and the origins of gumboot dance, the class manned up into some gumboots and learnt some basic moves. After some basic steps, we were given a short period of time to create a simple dance routine using the techniques that we had gained during this workshop. Below are two clips, one of learning the basics of gumboot dancing, and my groups presentation of our gumboot dance:
REFERENCES
Gribben, F n.d., 'Gumboot Dancing: The Story Behind the Stomps', retrieved 2 June 2016, http://www.capechameleon.co.za/printed-issue/issue-18/art-and-culture5/.